iOS 6 adoption shoots to 15% in just 24 hours

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The rate is much higher than it was with\u00a0iOS 5, which took five days to reach 20% adoption, and Google\u2019s (GOOG) latest Android operating system, which has only been found on 1.5% of devices after two months. Apple\u2019s (AAPL) latest mobile operating system delivers more than 200 improvements and new features such as Facebook (FB) integration, smarter Siri and turn-by-turn navigation. The roll out has been plagued with bad press, however. 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Source: http://news.yahoo.com/ios-6-adoption-shoots-15-just-24-hours-195504788.html

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Fall foliage season on track in NY despite early warmth, cold spell and dry weather

ALBANY, N.Y. - The experts say unusual warmth earlier this year, a cold snap and then stretches without rain in some parts of the state won't have much effect on this fall's foliage colour in New York.

Sunlight and the length of days determine when trees start showing off their yellows, oranges and reds, with cold snaps affecting the chemistry that brings out the deep reds and purples.

As always, some trees are already turning because of local stresses like drought or pests.

But the Catskills and Adirondacks are on track for the usual late-September, early-October show.

While tourism officials say leaf-peepers generally weren't deterred last season by tropical storms Irene and Lee, innkeepers in areas that were heavily damaged are looking for a rebound from the publicity that kept some people away.

Source: http://news.yahoo.com/fall-foliage-season-track-ny-despite-early-warmth-135200566.html

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Everything You Need To Know About Commercial Real Estate

by author on Sunday, September 16th, 2012 | Comments Off

Both newbies and seasoned buyers can be overwhelmed by working with commercial real estate. This article will give you some great advice to make your commercial property dealings proceed more smoothly.

Regardless of whether you are buying or selling, you should negotiate. It is important that your concerns and opinions are heard and recognized by the other parties; you must always put forth the effort to ensure fair pricing for the commercial property.

Take note that commercial transactions take more time, they are complex and they take more involvement than home purchases are. If you want things made easier, you might want to change what you?re getting yourself into. Yet the greater the risk and time, the greater the profit, so take this into consideration when you think about the type of investments you want to make in the future.

If you are trying to choose between two good commercial properties, think big. Financing may be no more difficult for the large apartment building than the small one. The concept here is the same as any other situation where you are purchasing multiple things. The more you purchase, the less you will pay for each unit.

TIP! Take the neighborhood into account when purchasing commercial property. If you are buying the property in a more expensive neighborhood your business will most likely be a lot more successful, people there have more to spend.

Itis customary for the borrower to arrange for the appraisal on a commercial loan. It is not unusual for the bank financing your investment to refuse to accept any other appraisal. Be properly prepared by ordering the appraisal directly.

A variety of kinds of commercial property real estate brokers exist. Some brokers represent tenants only, while full service brokers will work with landlords and tenants. You may benefit from using a broker who works exclusively with tenants, due to the singular focus.

If commercial property is something you?re thinking about investing your time and money in, take the tax advantages under consideration. In addition to depreciation benefits, investors can receive interest deductions. However, sometimes an investor can receive taxed income that is not taken as cash, otherwise known as ?phantom income?. You have to keep all of this in mind before you start to invest in real estate.

Check a commercial property for access to electricity and other utilities; make sure there is good access. Your business may have unique utility needs, but at the very least, you probably require hookups for electric, sewer, water and most likely, gas.

TIP! Learn to understand the commercial real estate metric called Net Operating Income (NOI). As long as you get positive numbers, you will be successful.

Learn to recognize good deals. Professional investors have an eagle eye for great deals. Investors know when it is time to pass on a deal and use a pre-planned exit strategy when a bad deal calls for it. In addition, they have a keen eye for observing any areas of the property that will require costly repair, and they have the ability to calculate the risk and the financial ramifications in order to successfully meet their goals.

Hunting for commercial property is a stressful and sometimes overwhelming situation for beginners and experts alike. This article will help you find and buy commercial property with the least amount of stress

Search for opportunities to buy larger commercial buildings if you want to invest in commercial real estate. Taking care of more units does not cost much more and this will bring down the price of every individual unit.

TIP! If you plan to finance your next commercial real estate purchase, you should first ensure that you can provide detailed financial statements for prospective lenders. Without them, lenders can?t know how well you manage your finances, making it less likely that you will get the funds you need.

Source: http://stillhousemarina.com/everything-you-need-to-know-about-commercial-real-estate/

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Create Virtual Billboards to Build Your Business ? www.searchready ...

BillboardPer per click (PPC) ads are like billboards along the Internet highway that direct travelers to your business website.?It?is a quick and efficient way to market your business. It helps potential customers find you exactly when they?re looking for your products and/or services.

People look for businesses through their keyword searches. By using words that are related to your industry, your ad will appear on the first page of their results and drive traffic to your site.

Paid advertising, such as Google AdWords, helps you get immediate exposure by increasing the visibility of your business to potential customers. And you only pay when someone clicks on your ad.?You create your monthly PPC advertising budget and can adjust it up or down based on your results.

You can use Google Analytics to monitor your site visitors, see which keywords are driving the most traffic ?and??determine the effectiveness of your marketing.

Google also provides a keyword tool to help you determine the most popular searches for your industry. This will help you select the best search terms to maximize your return on investment (ROI).

If your not marketing your business online, take advantage of this powerful online advertising strategy. It will increase the visibility of your business and bring more visitors to your website.

If they can?t find you they can?t choose you.

If you need help creating a pay per click advertising campaign, contact a professional Internet marketing company.

SearchReady is a San Francisco?Internet marketing company. Our services include?website design,?mobile web design,?search engine optimization,?pay per click management and?social networking. Contact us today for your Internet marketing needs.

Source: http://www.searchready.com/blog/create-virtual-billboards-to-build-your-business/

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    Can Cell Phone Services Withstand Irene?

    Can Cell Phone Services Withstand Irene?

    As Hurricane Irene makes her approach, many wonder if the storm will knock out their cell phone service. Chip Reid explains why cell phones are so unreliable in an emergency.
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    Cleanskin: Movie Trailer

    Cleanskin: Movie Trailer

    Sophisticated British action thriller CLEANSKIN explodes onto cinema screens in March with an exciting cast lead by Sean Bean, who plays Ewan, a Secret Service Agent working undercover in the criminal underbelly of London. His mission is to pose as the body guard of a small time arms dealer and discover who he is selling the Semtex to. However, when they are brazenly ambushed by a masked gunman in a West End hotel lobby, Ewan is shot and wounded and the dealer assassinated. The Semtex is stolen. Days later, a suicide bomber detonates himself inside a busy London restaurant and the Secret Services worse fears are confirmed - the stolen Semtex was used in the bombing. There is a terrorist cell operating in London, hell bent on bringing death and destruction to the nation's capital. Briefed by his operators (Charlotte Rampling and James Fox), Ewan is tasked with finding the cell and executing them. His orders are to terminate with extreme prejudice. Operating off grid, no one will know what his mission is; and if he is caught, they will deny all knowledge. Unknown to Ewan, the mastermind behind these bombings is Ash (Abhin Galeya), an idealistic embittered young man, who was 'turned' whilst at University. Ash is utterly devoted to the cause but with no criminal history, he is every agent's worst nightmare. He is a 'cleanskin': a terrorist with no previous convictions and unknown to the national security services. Can Ewan take him out before the unthinkable occurs?
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    Adobe SEO manager David Lloyd discussed how the company uses search data and content optimization to inform print collateral, advertising, social media and web design.

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  • The Evolution Beyond Technical SEO, Code & ?Software Gurus?

    Before you set out on a road trip or holiday, you check the weather forecast to see how things are going to be. An SEO forecast is equally important while you plan your marketing strategy, because things evolve quickly in this area thanks to Google?s frequent algorithm changes.

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Chapter 23 ? Project 1 | 19th Century British Novel

The differences between visual, auditory, and kinesthetic learning have been distinguishable since our first day at school. Being more of a visual or kinesthetic learner to begin with, reading my portion of chapter 23 of Northanger Abbey out loud was a positive experience for me, however, listening to it performed via the audio book, made my comprehension of the pages less than productive. When I listen in class, I find it intensely easier to understand what is being said, if I am doodling or otherwise occupying my hands. Most of the time I?ll take notes, just to be able to listen. In addition, my experiences reading the chapter out loud, silently, and listening to it were all very different. I had to prepare to read it out loud and the experience was much more pleasing than having to listen to it. There were also differences in my ability to read silently imbedded in my ability to read out loud. My understanding of the pages also took different shape and form as performance and voice took a toll on how the story was unfolding. I learned that to persuade an audience is to be heard, as to be heard you must talk and inform the audience.

First, in preparation for reading aloud, I read the passage twice before taking on the actual reread of reading it aloud. By doing this, I found and prepared my voice which allowed my creativity to flow freely and it was fun. Being a creative writing major, my voice is something I find naturally but silently via my writing. I reread my papers aloud prior to turning them in so that I can hear the actual voice come off the paper but now, a new theory in hearing my voice is allowing others to read it aloud to me. Also, I picked out the important quotes that I wanted to place emphasis on and heavily concentrated on those while I practiced reading each page over and over again. In addition, I also wanted to recognize at which points the attitude changes from one to another and I wanted my voice and emphasis placement to reflect such changes and differences. When the story switches up tempo or emotion, the tempo, volume, and overall narration of the story should be recognized as well. When I listened to the audio book, the attitude shifts weren?t very apparent because the shifts in voice weren?t very vivid or noticeable and I sought to perfect this area in my narration. I worried that such concentration would divert from the story and I might overdo it but then I thought that I would prefer to over-emphasize then to fall flat.

In terms of tempo, I wanted to give listeners time enough to respond to what was going on the story and I wanted them hear every detail. Normally when reading aloud, students tend to read at a quicker pace which doesn?t allow time for listeners to catch up. In order to perfect this snag, it is important to allow plenty of room for pause and drama. It?s important to pay attention to punctuation in this aspect because a comma is a breathe and a pause and is meant to be read as such. Contrary to reading it silently, where such pauses are generally ignored.

Another thing I did was have an audience of three people so that it wasn?t simply me reading aloud to the computer. That way I won?t have to fake devotion to inspiring an audience because I will actually have people to inspire and with such an old novel, inspiration is not easily faked. Also, an audience allows me to read emotions and reactions to the text and that feeds my ability to read the story accordingly or change voice and characters to make sure they are not confused. Prior to reading to said audience, I read it to my roommate, allowing her to ask questions and point out areas in which seemed confusing or flat. Being an honest, unbiased party, her feedback allowed for me to change things up and make the corrections I needed to like peer editing in a workshop environment, always a very helpful part of anything literature related.

Besides voice, tempo, and rhythm, I tried to enjoy the assignment. Reading aloud is generally something I only expect from professors so this assignment allowed for a change of pace, one in which I am quite unfamiliar with. Actually, I had a final for a creative writing workshop class in which we had to read a story or a compilation of stories out loud to the classroom, illustrating our ability to bring our writing off the page. Unfortunately, we had a time constraint on this presentation and it made me nervous because my story was a couple minutes over and so I hurried my nervous presentation along, not making necessary pauses or allowing for much needed emphasis. The story didn?t necessarily fall flat but I was glad when it was over. This time I took time and effort to make sure I perfected such things and took the time to enjoy what I was reading, making it my own. I am always the one to volunteer to read my own writing aloud in class but I know how to make that mine, a novel, especially 19th century, was a new experience for me and took practice and patience.

In order to dramatize the chapter, I concentrated on my feedback from my roommate and by gauging reactions from the audience. Also, I took breathes as they were necessary, not just for pauses but pauses for other forms of punctuation since it is necessary to do so in order to separate the ideas in the text. Referred to as stops in Cox?s The Arts of Writing, Reading and Speaking, are often ignored and emphasis is thus not placed correctly. The point here is to not rush and follow the punctuation on the page while reading aloud as you would follow traffic signs while driving. I kept this metaphor in mind as a drove through my four pages in Chapter 23.

In addition to punctuation, I also gave each character a voice of their own, trying as hard as a I could to make them distinguishable to my audience, especially those unfamiliar with the first 22 chapters of the story. Though my first couple attempts included changes in accents, I forwent that idea since it just turned into me not being able to keep up with them all, and if I can?t keep up then neither can my listeners. So, instead of committing to accents, I committed to tone and tempo. Some characters had slower more distinct voices, while others had lower and less significant voices. I worked on these for awhile before my listeners could distinguish between who each character was. It turned into them distinguishing characters based on how I read dialogue more so than them distinguishing because I said so and so said this and whoever said that. This is also important with early literature because sometimes it becomes a back and forth, without writing who said what (Hemingway is a big fan of this style).

Also, dramatization stems from how dramatic your physical features get while doing the physical act of reading aloud. There is a lot involved. Mouth, lips, tongue, and lungs are all working together to give the words on the page a physical presence. This makes the words come alive and become more than just words. In addition to what you physically have to do in order to get these words out, I also committed to certain facial expressions when the emotion warranted, these actions reflected in my voice. For example, if I scrunched my eyebrows together and scrunched my nose up, my voice would compensate for these changes in mood and take on an incredulous character. Though it is simply a voice recording and not a video recording, changes in physical appearance and recognition of such attitude changes shows in your voice; it?s a part of getting into character.

While I am experienced with reading my own writing aloud, trying to make my own words come alive is something I can do as a gifted writer but trying to make an established narrative come alive is a different matter. So, in order to make this difference not so evident, I got into the character I try to incorporate into my own writing. This helped ease the tension and gave me a foundation for how I wanted to dramatize the story.

Contrary to listening to the audiobook read by Elizabeth Klett, reading the book silently allowed for more details to jump out at me, ones that I had earlier missed and ignored while listening. Since I am a reader as an extracurricular activity, I was enraptured when I got to take matters into my own hands. It gave me more power over how the story was read and how the characters were interpreted. I am a fan of a wide variety of genres and can read anything, even if written poorly. Austen?s language, though so very different from modern day literature, was alive and dramatic. Since I am not accustomed to reading such style, I also read it slower which allowed for punctuation and changes in attitude to become noticeable. With this project in mind, I tried to enjoy the writing, thinking about how this would sound if I read it out loud. Since I am not an auditory listener by nature, I actually slipped into a dazed manner of listening, where I was listening but wasn?t hearing what was being said. It sounded like long, indistinguishable drolls that ceased to have a point or direction. The manner in which Elizabeth Klett read the story was substantial and she was well-articulated and she paid attention to pause, punctuation, and character differentiation but lacked in voice, tone, and expression, in my opinion. Lacking these things in her oral presentation made me anxious to make sure I put them into my presentation. I knew that I wanted to correct her flaws even it meant making ones of my own. All I know is that I wanted to act, become her characters and her narrator while distinguishing the two.

The differences between my reading aloud and listening to the audiobook were drastic also but both held more emphasis than silent reading because Austen meant for her books to be read aloud especially since in that day and time, books were rare and meant to be read aloud to each other. It used to be a favorite pass time. Unfortunately such privileges are hardly practiced these days. Parents may read aloud to their children but that is even a rare occurrence these days, too. Another thing that hampers such a practice from taking place is the technology of audiobooks, since their availability people have read out loud even less because someone could do it for them. Anyway, I believe that this project reflects the way Jane Austen would have pictured a class? reflection on her writing. While reading aloud, I wanted to be different from Elizabeth Klett, though I soon realized I hardly had to try since every reader has their own distinct characteristics that make the story come alive. I noticed that the audiobook emphasized the words whereas I emphasized differences in characters and action words. I also tried to picture Elizabeth making facial expressions and using her physical being to determine where the attitudes of the story were going but couldn?t quite put a facial expression to her tone. I wanted to reflect that in my presentation.

The differences between reading silently and reading aloud were drastic to the learning process. I read chapter 23 once while I read the whole book, and twice again before practicing reading it aloud and every time a read it aloud I noticed something more I could do with voice and how I imagined things going on while my silent imagination reviewed the literature. I am a good reader and but that didn?t necessarily mean I was going to be a good reader, that takes practice. So I practiced. Words lack a certain luster when they are simply understood with the eyes, when the eyes, mouth, and other physical aspects come into place, the words glow and have more of a presence, more meaning. I wondered if I could read the whole book aloud and see it in a brighter light. When I was younger and read books, my mouth would move over each word and it made the words more real, like I could grasp them. I think this practice could be a happy medium for reading out loud and reading to yourself. My voice, body, and mind responded to the words and I became more in touch with this particular chapter because of it.

In conclusion, everybody learns differently. Auditory learning is not my cup of tea but oral and more hands on means of learning stick with me. This assignment taught me the difference between the characters that I thought I?d read about and the characters that I could actually create using my voice and own manner of speaking. I also learned how to involve my body and become devoted to bringing an audience alive using my voice, something that didn?t happen for me when I listened to the audiobook of Northanger Abbey. Though I didn?t enjoy that part of the project, it allowed me to pinpoint what not to do and concentrate on things that I would want to hear out of an audiobook as I read the pages of my chapter aloud. It?s not as easy as it sounds and it take practice to be both a good reader and a good speaker. It is a talent not often exercised. Since Austen wrote in a time where books were often read aloud, I think that we got a look into what this book was truly capable by visiting every aspect of how it can be read: to you, by you, and silently. I think that my favorite experience was reading it silently as I do many books and losing myself in the silence of that affair, but I got in touch with a the actor part of my personality and tried to make words become more than just words. I succeeded.

By: stevie.morrow on September 15, 2012.

Source: http://www.rogerwhitson.net/britnovel2012/2012/09/15/chapter-23-project-1/

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